Publications

In order to facilitate scholarly dialogue and disseminate the presentations at scholarly exchanges, Nanjing University and Brown University have committed to a number of publications.


Journal of Gender Theory and Culture

Inaugural issue in Chinese, Nanjing University Press, 2010.  Issue features papers from the Symposium on Feminist Theory and Gender Studies (June 24-25, 2008), organized by: Theories of Women and Gender, Gender Studies as an Interdisciplinary Subject, and Cross-cultural Gender Studies.

Co-edited by Chengzhou He and Lingzhen Wang.


Gender and Chinese Cinema (English)

Two volumes to feature papers from the International Conference on Gender and Chinese Cinema Gender Studies (June 26-29, 2008)

Volume 1: Chinese Women's Cinema  (edited by Lingzhen Wang)

The first of its kind in English, this collection covers twenty-one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of film, Asian, women's, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others who have transformed Chinese cinematic modernity.

This collection creates a unique transcultural, interdisciplinary conversation on authorship, feminist cinema, transnational gender, and cinematic agency and representation. Lingzhen Wang's comprehensive introduction recounts the history and limitations of established feminist film theory, particularly its relationship with female cinematic authorship and agency. She also reviews critiques of classical feminist film theory, along with recent developments in feminist practice, ultimately remapping feminist film discourse within transnational and interdisciplinary contexts. Wang's subsequent redefinition of women's cinema and brief history of women's cinematic practices in modern China encourage the reader to reposition gender and cinema within a transnational feminist configuration, especially in such a way that power and knowledge are reexamined among and across cultures and nation-states.

  • Vol 2: Gender and Chinese Cinema: New Interventions (Co-edited by Lingzhen Wang and Mary Ann Doane)


 

Gender and Chinese Cinema (Chinese)

(forthcoming, Nanjing University Press)
One volume to feature papers from the International Conference on Gender and Chinese Cinema Gender Studies (June 26-29, 2008)


 

Essential Readings in U.S. Feminist Theory (Chinese)

(forthcoming, Nanjing University Press)
Edited by Elizabeth Weed