The arts at Brown
are alive and thriving! Look here for information on
CAC events
, or use the links at the left to see what is happening around campus.

Upcoming Events

Audible Spaces: Tristan Perich, Zarouhie Abdlian, and [The User] | August 30, 2014 - October 12, 2014  + -

The David Winton Bell Gallery is pleased to announce Audible Spaces: Tristan Perich, Zarouhie Abdlian, and [The User], an exhibition of contemporary sound art, on view at the Bell Gallery, August 30 to October 12, and the Cohen Gallery at the Perry and Marty Granoff Center for Creative Arts, August 23 to October 12, 2014. Audible Spaces presents three sound installations that encourage participants to explore the subtleties of listening. Tristan Perich, Zarouhie Abdalian, and [The User] have each created immersive environments using seemingly uniform sounds that dissolve into tonal, tactile, and temporal variations as participants engage with them. Please join us for an artist conversation moderated by Ed Osborn, sound artist and Assistant Professor of Visual Art at Brown University, and a cocktail reception. 
Artist Talks September 5, 2014, 5:30-6:30pm. List Auditorium
ReceptionSeptember 5, 2014, 6:30-8:00pm. 
List Lobby and Cohen Gallery All are welcome. 

 

Audible Spaces presents three sound installations that encourage participants to explore the subtleties of listening.Tristan PerichZarouhie Abdalian, and [The User] have each created immersive environments using seemingly uniform sounds that dissolve into tonal, tactile, and temporal variations as participants engage with them. Perich'sMicrotonal Wall (2011), on view in the Cohen Gallery at the Granoff Center, demonstrates the extraordinary complexity that can be generated using the most basic electronic tools. Drone like from a distance, this twenty-five foot long sound field of 1-bit noise dissolves into 1500 unique frequencies. Abdalian's In Unison (2014) draws attention to each individual's singularly embodied experience of listening. Parametric speakers embedded in the Bell Gallery's ceiling project sonic avenues of equal frequencies that disrupt binaural hearing as they reverberate throughout. [The User]'s Coincidence Engine One: Universal People's Republic Time (2008) makes the entropy of time audible. This amphitheater-like space filled with more than one thousand ticking clocks provokes questions about homogeny, loss, and the spaces of public address. Unified by a shared economy of means, all three projects prompt participants to consider the dynamic relationship between sound, space, and personal subjectivity, while addressing a distinct set of historical, social, and sonic concerns.

 

Sound artist and theorist Brandon Labelle argues that "sound is intrinsically and unignorably relational: it emanates, propagates, communicates, vibrates, and agitates; it leaves a body and enters others; it binds and unhinges, harmonizes and traumatizes; it sends the body moving, the mind dreaming, the air oscillating."[1] This notion has permeated sound art since its inception and has driven artists to continually explore both the formal properties of singular sounds and the conditional nature of listening. In the 1960s, minimalist musicians in particular took up this cause. They developed radically simplified compositional structures to experiment with the spatial and temporal apperception of sound, in the hopes of expanding the horizons of aesthetic experience. Drawing on the critical strategies of minimalism, the artists in Audible Spaces use monotony, seriality and repetition-both visually and sonically-as they consider both what and how we hear.

Youth Arts Summit | November 22, 2014  + -

On Saturday November 22, 2014, a group of teen and young adult artists who participate in our community’s rich youth arts programs will bring their work, ideas and energy up the hill and into the Granoff Center. Though performances, exhibitions and conversation the youth will imagine how Brown and Providence might look in 2034 – when they are the creative leaders in our community.

The Youth Arts Summit is sponsored by the Brown 250, the Creative Arts Council and the Department of Theatre Arts and Performance Studies as a way to celebrate Providence-based youth arts organizations that have been formed by or led by Brown graduates.

Coordinating among Brown’s Granoff Creative Arts Center (CAC) The Department of Theatre Arts and Performance Studies (TAPS), and Brown/Trinity MFA programs, the daylong public arts event is a celebration of Brown's distinctive group of creative alumni, faculty and students who work in Providence, have contributed to the vibrant art and culture of our city, and have dedicated themselves to social change through arts and education.

Youth will come from the following organizations: Community MusicWorks, founded by Sebastian Ruth (‘97), New Urban Arts, founded by Tyler Denmead (‘97), Youth in Action, until just recently directed by Adeola Orreola (‘02) and AS220 Youth, founded by Sam Seidel (’02) and now directed by Anne Kugler (’90). Besides these organizations, we will also feature dancers from Central Falls who work with Professor Julie Strandberg, actors from Trinity Rep’s Young actors programs, performers in the Tenderloin Opera Company, directed by Professor Erik Ehn, and young artists from Everett Company who are creating a new piece with Brown University this fall. Jori Ketten ('02) will facilitate the Summit. She is founder of 186 Carpenter and directs the Media Lab at Community MusicWorks,  where she helps young people reflect on their learning through photography and video projects.