Andrew Lison

Andrew Lison

Andrew_Lison@brown.edu
Year entered: 2009

Research interests: Digital media, avant-gardes, critical theory, radical cinema, popular music and subcultures, transnational popular culture

Publications:

Book
The Global Sixties in Sound and Vision: Media, Counterculture, Revolt, coedited with Timothy Scott Brown (Palgrave Macmillan, 2014)

Refereed Journal Articles
“‘The Very Idea of Place’: Form, Contingency, and Adornian Volition in The Man in the High Castle” in Science Fiction Studies 122 (March 2014)

“Love’s Unlimited Orchestra: Overcoming Left Melancholy via Dubstep and Microhouse” in New Formations 75 (Summer 2012)

Chapters in Edited Volumes
“Fun is a Battlefield: Software Between Enjoyment and Obsession,” with Wendy Hui Kyong Chun, in Olga Goriunova ed., Fun and Software: Exploring Pleasure, Paradox and Pain in Computing (Bloomsbury, forthcoming 2014)

“1968 and the Future of Information” in Timothy Scott Brown and Andrew Lison eds., The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan,  2014)

“Postmodern Protest? Minimal Techno and Multitude” in Timothy Scott Brown and Lorena Anton eds., Between the Avant-Garde and the Everyday: Subversive Politics in Europe from 1957 to the Present (ProtestCulture and Society Series) (Berghahn Books, 2011)

Translation
Wolfgang Kraushaar, “Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and its Influence on Rock Music” in Timothy Scott Brown and Andrew Lison eds., The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan, 2014)