Andrew Lison

Andrew Lison

Andrew_Lison@brown.edu
Year entered: 2009

Research interests:  New Media Studies; Film Studies; Sound Studies; Cultural Studies (with emphases on Globalization, Popular Music, and Subcultures); Science and Technology Studies; Aesthetics and Avant-Gardes; Cultural and Critical Theory.

Publications:

Book
The Global Sixties in Sound and Vision: Media, Counterculture, Revolt, coedited with Timothy Scott Brown (Palgrave Macmillan, 2014)

Refereed Journal Articles
“‘The Very Idea of Place’: Form, Contingency, and Adornian Volition in The Man in the High Castle” in Science Fiction Studies 122 (March 2014)

“Love’s Unlimited Orchestra: Overcoming Left Melancholy via Dubstep and Microhouse” in New Formations 75 (Summer 2012)

Chapters in Edited Volumes
“Fun is a Battlefield: Software Between Enjoyment and Obsession,” with Wendy Hui Kyong Chun, in Olga Goriunova ed., Fun and Software: Exploring Pleasure, Paradox and Pain in Computing (Bloomsbury, 2014) 

“1968 and the Future of Information” in Timothy Scott Brown and Andrew Lison eds., The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan,  2014)

“Postmodern Protest? Minimal Techno and Multitude” in Timothy Scott Brown and Lorena Anton eds., Between the Avant-Garde and the Everyday: Subversive Politics in Europe from 1957 to the Present (ProtestCulture and Society Series) (Berghahn Books, 2011)

Translation
Wolfgang Kraushaar, “Guitar Smashing: Gustav Metzger, the Idea of Auto-destructive Works of Art, and its Influence on Rock Music” in Timothy Scott Brown and Andrew Lison eds., The Global Sixties in Sound and Vision: Media, Counterculture, Revolt (Palgrave Macmillan, 2014)