David Winton Bell Gallery

Past Exhibitions





November 19, 2011 - February 19, 2012

This exhibition explores the intersection between nostalgia and technology in contemporary sculpture. The five artists here incorporate very simple machinery to create works that evoke different aspects of nostalgia. Rather than specific lost moments of time, they capture more abstract, visceral registers of this sentiment, whether in the form of a sense memory (of rain, or of skin crawling), a personal history (moments of key decisions), or an aesthetic associated with memory (such as the historical documentary).

Each artist allows the mechanics of their works to be visible, effecting an atmosphere of reflection or reminiscence, rather than the forward-looking quality associated with technology. Their texture – simple gears, wires – are key to the works’ evocative power. The markedly un-mysterious technology feels familiar, from a time before the computer screen veiled its technology.

The Artists:

Meridith Pingree's work has earned critical praise and awards, including a SmackMellon fellowship and a Skowhegan residency. Pingree recently earned her MFA in sculpture at RISD. She has since exhibited extensively, particularly in New York. Her works for this exhibition have the distinct quality of a sense memory, of skin crawling, hairs standing on back of neck, and other visceral senses – abstracted, but somehow still familiar to the viewer.

Jasper Rigole is a Belgium-based artist who was featured in the 2010 Manifesta 8 Biennial in Spain, and has shown his work in exhibitions and film festivals throughout Europe. This will be his first appearance in the US. His work for this exhibition, OUTNUMBERED: a brief history of imposture gives a distinctly nostalgic first impression – it would seem to be a documentary about the olden days – but a mechanical storytelling machine reveals this to be false, and remind us that all “documentary” and representations of the past are constructed narratives.

Jonathan Schipper has exhibited widely in Europe and the U.S. His work often incorporates mechanical elements to explore metaphysical questions. Measuring Angst, his work for this exhibition, takes regret as its theme, with a machine that seems to keep trying to reverse time and repair what has been b