Date October 5, 2026
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Aidan Choi: Bringing together art, policy and public health to create positive change

The Brown University MPA/MPH student is drawing on his undergraduate background in the humanities, social sciences and community engagement to help inform and empower vulnerable Rhode Islanders.

PROVIDENCE, R.I. [Brown University] — Since he was a child, Aidan Choi has used art to process information, express himself and create meaning. 

Throughout his time as an undergraduate at Brown University, where he concentrated in ethnic studies and urban studies, Choi turned to drawing for everything from taking notes in class to transforming archival research into art. His work included a public art project in Providence that documented the history of the city’s Chinese communities and presented ideas about class, racism and gentrification.

Now, the Class of 2026 graduate is pursuing a dual master of public health/master of public affairs degree at Brown, converging his interests in art, public health, public policy, urban studies and ethnic studies to build knowledge and expertise as he works toward a career in public service. 

“I gained a lot of theoretical understanding as an undergraduate, and I’ve become increasingly interested in cycling that understanding into the community and then back into the classroom,” Choi said. 

Choi is especially interested in advocacy work that supports marginalized groups, particularly those who have experienced unsafe housing or exploitative rental practices, and he has worked with several nonprofits that support immigrants’ and tenants’ rights. 

“I’ve known since I was an undergrad exposed to community-engaged research and advocacy that I really enjoyed people-facing work,” he said. “I love building relationships, and this work teaches you the importance of being able to attune to folks and meet people where they are.” 

Art as a vehicle for storytelling, advocacy, community connections

When Choi debuted “The Move on Chinatown” in 2024, the Providence community was invited to engage with the project through an installation at the Trinity Repertory Company and an event at the Providence Public Library. Supported by a Brown Arts Institute grant, the project grew out of a collaboration with Choi’s mentor, Jeffrey Yoo Warren, a Providence-based artist and researcher he met through a course as a first-year student. 

“The research ultimately asks, ‘Who is included and who is excluded in narratives of urban progress and modernity?’” Choi said. “It’s a question, I would argue, as relevant a century ago as it is today.”

Choi also wrote his thesis and drew a book-sized comic about Providence’s Chinatown, a neighborhood that existed downtown until 1914. The research conveyed in his comic will be preserved at Brown’s John Hay Library, which acquired Choi’s work last May to add to its collections. 

“Aidan’s comic stood out to me because it was a great demonstration of primary source research integration,” said Jasmine Sykes, the library’s head of research services.  

Choi said he chose a comic format because he wanted to bring together histories scattered across different collections and “make them feel alive.” 

“It’s a full-circle moment that this work is preserved alongside some of the sources that made it possible,” he said. “I hope someone else can encounter it, reinterpret it in their own way and continue the conversation into the present.” 

Building toward a career in public health, public policy

Choi is now focused on advancing his knowledge through the rigorous curriculum of the dual-degree program offered through Brown’s School of Public Health and Watson School of International and Public Affairs. He began a fellowship with the People, Place and Health Collective at the School of Public Health in July and introduced himself to the team of researchers and staff by presenting on his art and archival research.

“That experience was really meaningful and helped me break the ice with the team,” Choi said. “It was really motivating for me as well, to continue to think about the connections between my undergraduate training and the work I’m focusing on now as a graduate student.” 

At the collective, Choi is working with researchers to develop and implement an outreach program to inform Rhode Islanders impacted by recent significant federal changes to Medicaid eligibility, including new work requirements and immigration status restrictions.

Choi said Brown’s Open Curriculum allowed him to make deep connections as an undergraduate among different academic areas, which helped inspire him to pursue an MPA/MPH degree. 

“I would describe the Brown educational experience, in and out of the classroom, as transformative,” said Choi, who received Brown’s Royce Fellowship for community-engaged research in 2025. “It allows us to go through many iterations of ourselves.” 

Beyond advocacy and visual art, Choi also builds connections through poetry by participating in spoken-word poetry nights in Providence. 

“Anyone can walk in and talk about anything from heartbreak to what’s going on with their job, and that level of intimacy with what people were experiencing in Providence became part of my education,” Choi said. 

Inspired to address ‘unevenness’

Part of his interest in public health and public policy stemmed from his family. In California’s Bay Area, where Choi is from, his mother is a trauma therapist and his father is a physician who has worked in international disaster relief and medical aid.

“Growing up, I went on a lot of trips with him to places like Kenya, Cambodia and the Philippines and got early exposure to the power of medicine, but also the unevenness of the distribution of aid around the world,” Choi said. “We need things like trauma-informed care on an individual level, but also, more broadly, capital and investment in health infrastructure and housing programs — a role health policy can play.” 

Choi’s tenant advocacy work also advanced his interest in public health. He said he witnessed poor housing conditions that led to increased risk of physical ailments, such as asthma. 

As he advances his work at the collective and his studies, Choi is retaining his way of seeing and processing the world through art.  

“I love communicating through drawing, because it’s not static — it’s a dynamic way of inviting someone into a conversation,” Choi said. “And those conversations can help drive meaningful change.”